|
|
Born: Los Angeles, CA; Lives: Ojai, CA
|
|
|
EDUCATION
|
|
1974
|
MFA,Yale University, New Haven, CT
|
|
Fulbright/Hayes Travel Grant, Barcelona, Spain
|
|
1972
|
BFA, California Institute of the Arts, Valencia, CA
|
|
1971
|
Whitney Independent Study Program, New York, NY
|
|
1970
|
Chouinard Art Institute, Los Angeles, CA
|
|
2009
|
Circles Lines Grids ACE Gallery, Beverly Hills, CA
|
|
2008
|
Out Standing Time, Crisp Museum, Southeast Missouri State University, Cape
Girardeau,
MO
|
|
Hybrid Variations, Edward Cella Art+Architecture, Santa Barbara, CA
|
|
2006
|
Gary Lang, Nathan Larramendy Gallery, Ojai, CA
|
|
2005
|
Sageing, Seven New Paintings, Bentley Projects, Phoenix, AZ
|
|
2004
|
Abundance Automata, Haags Gemeentemuseum, The Hague, The Netherlands
|
|
Gary Lang, California Paintings, Galerie Zurcher, Paris, France
|
|
Circling Madison, MMOCA, Madison, WI, Garden Commission, Olbrich Botanical
Gardens
|
|
2003
|
Four New Paintings, Quint Contemporary Art, La Jolla, CA
|
|
Gary Lang, Galerie Trabant, Vienna, Austria
|
|
2002
|
Circles and Cycles, A Chance Garden phase 2, The Color Project, The Flower
Fields in
Carlsbad, Public Garden Commission, Carlsbad, CA
|
|
Painting Installation, Quint Contemporary Art, La Jolla, CA
|
|
Paintings, Gallery K, Kurashiki, Japan
|
|
2001
|
Mirrors, Brian Gross Fine Art, San Francisco, CA
|
|
Circles and Cycles, A Chance Garden,The Color Project, The Flower Fields in
Carlsbad,
Public Garden Commission, Carlsbad, CA
|
|
Native, Crocker Plaza, courtesy Brian Gross Fine Art, San Francisco, CA
|
|
California Drip Lines, Stark Gallery, New York, NY
|
|
Paintings, Galerie Trabant, Vienna, Austria
|
|
Paintings, Yoshizo Hirai, Osaka, Japan
|
|
2000
|
Open Studio, International Studio/Curatorial Program, New York, NY
|
|
1999
|
Diamond Paintings, Stark Gallery, New York, NY
|
|
Diamond Paintings, Galerie Zurcher, Paris, France
|
|
Life Lines-works on paper, Brian Gross Fine Art, San Francisco, CA
|
|
Testimonials 1999, Stark Gallery, New York, NY
|
|
1998
|
Testimonials, Claremont Graduate University, Claremont, CA
|
|
Intimate Works, Brian Gross Fine Art, San Francisco, CA
|
|
1997
|
Gary Lang, Paintings and Objects 1975-1997, Sordoni Art Gallery, Wilkes University,
Wilkes-Barre, PA
|
|
Chance 1997, Galerie Zurcher, Paris, France
|
|
Paintings, Quint Gallery, La Jolla, CA
|
|
1996
|
Hague Project, Haags Gemeentemuseum, The Hague, Netherlands
|
|
Hague Project: Large Scale Wall Pieces, Crosby Street Project, New York, NY
|
|
Energized Lines, Maud Boreel Fine Art, The Hague, Netherlands
|
|
Circle Paintings 1990-96, Brian Gross Fine Art, San Francisco, CA
|
|
1995
|
Mirrors, Galerie Zurcher, Paris, France
|
|
1994
|
Recent Paintings, Brian Gross Fine Art, San Francisco, CA
|
|
Michael Klein Inc., New York, NY
|
|
1993
|
Recent Paintings, Brian Gross Fine Art, San Francisco, CA
|
|
Gary Lang, Galeria Cadaques, Cadaques, Spain
|
|
Paintings 1993, Michael Klein Inc., New York, NY
|
|
1992
|
New Work, Michael Klein Inc., New York, NY
|
|
New Work, Nina Freudenheim Gallery, Buffalo, NY
|
|
Site Circle Installation, Margaret Lipworth Fine Art, Boca Raton, FL
|
|
1991
|
Plaid Paintings, Annina Nosei Gallery, New York, NY
|
|
1990
|
Gary Lang, Annina Nosei Gallery, New York, NY
|
|
Installation Work/New Large-Scale Paintings, Quint-Krichman-Projects, La Jolla,
CA
|
|
1989
|
Simon Watson Gallery, New York, NY
|
|
Gary Lang, Annina Nosei Gallery, New York, NY
|
|
Miniature Paintings, Pretto/Berland Hall Gallery, New York, NY
|
|
Mark Quint Contemporary Art, La Jolla, CA
|
|
1988
|
Gary Lang-New Small Paintings, Julian Pretto/Berland Hall, New York, NY
|
|
1987
|
Site Installation, Madison Art Center, Madison, WI
|
|
1986
|
Gary Lang, Mark Quint Gallery, San Diego, CA
|
|
Gary Lang, Galeria Cadaques, Cadaques, Spain
|
|
Paintings & Objects, Paris/New York Kent Gallery, Kent, CT
|
|
1984
|
Kirk de Gooyer Gallery, Los Angeles, CA
|
|
Gary Lang: Paintings & Aggraphages, Baskerville and Watson Gallery, New
York, NY
|
|
1983
|
Mark Quint Gallery, San Diego, CA
|
|
Kirk de Gooyer Gallery, Los Angeles, CA
|
|
1982
|
Gary Lang, Quint Gallery, San Diego, CA
|
|
Barcelona Paintings, Downtown Gallery, Los Angeles, CA
|
|
1981
|
Paintings & Objects, Todd Gallery, Phoenix, AZ
|
|
1980
|
Ulrike Kantor Gallery, Los Angeles, CA
|
|
Weapons, L.A.C.E. Gallery, Los Angeles, CA
|
|
1975
|
Institute of American Studies, Barcelona, Spain
|
|
Centro Cultural de los Estados Unidos, Madrid, Spain
|
|
1974
|
Yale University Art Gallery, New Haven, CT
|
|
2009
|
QUINT: Three Decades of Contemporary ART, Calif. Center for the Arts, Escondido, CA
|
|
2008
|
Painting in Southern California: The 1980s Neo-Expressionism and Driven to Abstraction
ll,
Riverside Art Museum, CA
|
|
Dividing Time, The McNay Art Museum, San Antonio, TX
|
|
Dividing Time, Hague Gemeentemuseum, Hague, Netherlands
|
|
2007
|
An Eclectic Eye, Selections from the Dan Leach Collection, Tuscon Museum of
Art,
Tuscon, AZ
|
|
Tenth Anniversary, SCIART, Cal State University, Camarillo, CA
|
|
Welcome to Our Neighborhood, Edward Cella Art+Architecture, Santa Barbara,
CA
|
|
2006
|
Heavy Light, Video and Digital Works, Quint Contemporary, La Jolla, CA
|
|
Explorations, Edward Cella Art+ Architecture, Santa Barbara, CA
|
|
New Works, Galerie Trabant, Kitzbuhel, Austria
|
|
2005
|
Southern Exposure, Museum of Contemporary Art San Diego, La Jolla, CA
|
|
Canard etait toujours vivant, Panorama de la peinture contemporaine, Abbaye Saint-Andre
Centre d’art contemporain,Meymac, France
|
|
Glass Seriously, Dorsky Projects, New York, NY
|
|
Universal Medium, McClain Gallery, Houston, TX
|
|
2004
|
Tinseltown Too, Domestic Settings gallery, Los Angeles, CA
|
|
Specific Objects: The Minimalist Influence, Museum of Contemporary Art San
Diego, CA
|
|
World Peace ( 20th Aniversary of Bijutsu Sekai ) Liu Haisu Art Museum,
Shanghai, China
|
|
Blur, Temporary Contemporary @ the Bekins, Santa Barbara, CA
|
|
Galerie Trabant - Steendrukkerij Amsterdam, Amsterdam, The Netherlands
|
|
Inaugural Exhibition, Bentley Projects, Scottsdale, AZ
|
|
Rupertinum Museum of Contemporary Art, Salzburg, Austria
|
|
2003
|
Nine Artists Installed, Peggy Phelps Gallery, Claremont Graduate University,
Claremont,
CA
|
|
Continuoua Senses, Kurashiki City Art Museum, Kurashiki, Japan
|
|
2002
|
Minimal, Haags Gemeentemuseum, The Hague, The Netherlands
|
|
Painting’s Edge, Parks Exhibition Center, Idyllwild Arts, Idyllwild, CA
|
|
Continuous Senses, Gallery Jurou, Kurashiki, Japan
|
|
2001
|
Brian Gross Fine Art, Gallery Artists, Shasta College Art Gallery, Shasta College
Art Dept.,
Redding, CA
|
|
Chouinard: A Living Legacy, Oceanside Museum of Art, Kruglak Gallery &
Boehm Gallery,
Oceanside, CA
|
|
Collaborations, Galerie Trabant, Vienna, Austria
|
|
Fifteen Years of Painting at Stark Gallery, Stark Gallery, New York, NY
|
|
Galerie Zurcher, Paris, France
|
|
2000
|
New York Artists, Eckert Fine Art Naples, Naples, FL
|
|
Small Work, Nina Freudenheim, Inc., Buffalo, NY
|
|
Works on Paper, Stark Gallery, New York, NY
|
|
Haulin’ Ass, Pierogi 2000 Flat Files (Armed and Dangerous), Yerba
Buena Center, San
Francisco, CA, exhibition traveling to Los Angeles, Kansas City and Berlin
|
|
1999
|
“Apprendre a Regarder” , HEC Campus, Paris, France, September-October
1999
|
|
Davis Street Inaugural, Butters Gallery Ltd., Portland, Oregon
|
|
1998
|
I Love New York-Crossover of Contemporary Art, Museum Ludwig, Koln
|
|
Flexing the Abs: New Paintings by Gary Lang, David Row, & Tad Wiley, RARE,
NY
|
|
Cool Painting, Brian Gross Fine Art, San Francisco, CA
|
|
Self-Portrait, Gallery at Dieu Donne Papermill, New York, NY
|
|
4th Annual Group Show, Ruth Bachofner Gallery, Santa Monica, CA
|
|
The Paper Show, HBO Corporate Gallery, New York, NY
|
|
Paper +, Gallery at Dieu Donne Papermill, New York, NY
|
|
Paperworks from Dieu Donne Papermill, HBO Headquarters, New York, NY
|
|
Projects, Galerie Zurcher, Paris, France
|
|
1997
|
Current Themes, Persistent Dialogues, Works from the Maslow Collection, Everhart
Museum, Scranton, PA
|
|
Amour, Margaret Lipworth Fine Art, Boca Raton, FL
|
|
Anniversary Shows 1973-1997, Galeria Cadaques, Cadaques, Spain
|
|
La Regle et L’Emotion, Centre Xavier Battini, L’Isle-sur-la-Sorgue,
France
|
|
Abstraction Index, Condeso/Lawler Gallery, New York, NY
|
|
Benefit Exhibition, Pat Hearn Gallery, New York, NY
|
|
Drawing From Life, Stark Gallery, New York, NY
|
|
Small Works, Elizabeth Harris Gallery, New York, NY
|
|
1996
|
The Collection of Julian Pretto, Wadsworth Atheneum, Hartford, CT
|
|
Mid-Winter Exhibition, Brian Gross Fine Art, San Francisco, CA
|
|
1995
|
Works on Paper, Galerie Zurcher, Paris, France
|
|
Color Painting, Brian Gross Fine Art, San Francisco, CA
|
|
Julian’s Show , curated by Julian Pretto, Littlejohn Contemporary, NY,
NY
|
|
Arresting Images, Gallery 400, The University of Illinois, Chicago, IL
|
|
Paintings, Quint Contemporary Art, La Jolla, CA
|
|
1994
|
New York Abstract Painting, Salvatore Ala Gallery, New York, NY
|
|
About Color, Charles Cowles Gallery, New York, NY
|
|
Geometrie En Question, Galerie Zurcher, Paris, France
|
|
1993
|
Contemporarnes, Prato, Italy
|
|
The Return of the Cadavre Exquis, The Drawing Center, New York, NY
|
|
Three Painters, Margaret Lipworth Fine Art, Boca Raton, FL
|
|
East Coast-West Coast, Nancy Drysdale Gallery, Washington, DC
|
|
Sailing to Byzantium with Disenchantment, Sergio Tossi Arte, Contemporanea,
Prato, Italy
|
|
1993
|
Collage, Brian Gross Fine Art, San Francisco, CA
|
|
Lang, McLaughlin, Venezia, Nina Freudenheim Gallery, Buffalo, NY
|
|
Kurswechsel, Michael Klein Inc. at Transart Exhibitions, Koln, Germany
|
|
1992
|
Ecstasy, Dooley Le Cappelaine, New York, NY
|
|
Geometric Strategies, Marilyn Pearl Gallery, New York, NY
|
|
Ageometry, Michael Klein Inc., New York, NY
|
|
Vibology, White Columns, New York, NY
|
|
1991
|
Paintings, Annina Nosei Gallery, New York, NY
|
|
Summer Show, Michael Klein Inc., New York, NY
|
|
Nancy Drysdale Gallery, Washington, DC
|
|
Hill Gallery, Birmingham, MI
|
|
Preview, Michael Klein Inc., New York, NY
|
|
1990
|
Annina Nosei Gallery, New York, NY
|
|
Grids, Vrej Baghoomian Gallery, New York, NY
|
|
The Grid, Ben Shahn Galleries, William Paterson College, Wayne, NJ
|
|
Mark Quint Gallery, La Jolla, CA
|
|
Fluid Geometry, Cummings Art Center, Connecticut College, New London, CT
|
|
Group Exhibition, Guillen & Tresserra Galleria D’Art, Barcelona, Spain
|
|
1989
|
Artists of the 80’s, Sordoni Gallery, Wilkes College, PA
|
|
Aspects of Painting, Julian Pretto Gallery, New York, NY
|
|
Invitational, Fiction/Non-Fiction Gallery, New York, NY
|
|
Group Exhibition, Annina Nosei Gallery, New York, NY
|
|
Coming of Age, Madison Art Center, Madison, WI
|
|
Mutations, Annina Nosei Gallery, New York, NY
|
|
1988
|
Albright-Knox Museum, Buffalo, NY
|
|
Julian Pretto Gallery, New York, NY
|
|
Adler Gallery, Los Angeles, CA
|
|
Small Format, Lang and O’Hara, New York, NY
|
|
1987
|
Adler Gallery, Los Angeles, CA
|
|
Working in Brooklyn/Painting, Brooklyn Museum, Brooklyn, NY
|
|
1986
|
Paris Bienale, Paris, France
|
|
Adler Gallery, Los Angeles, CA
|
|
Modern Objects- A New Dawn, Baskerville + Watson, New York, NY
|
|
1985
|
Off the Streets, Los Angeles, CA
|
|
Metropolitan Transit, Los Angeles, CA
|
|
Bill and Merry Norris Collection, Pepperdine University, Los Angeles, CA
|
|
Recent Painting in Southern California, Fisher Gallery, Univ. of Southern California
|
|
1984
|
Crime and Punishment, Triton Museum, Santa Clara, CA
|
|
A Broad Spectrum: Contemporary Los Angeles Painters and Sculptors, Design Center,
L.A., CA
|
|
Olympiad: Summer ‘84, Koplin Center, Los Angeles, CA
|
|
1983
|
University Place Gallery, New York, NY
|
|
Jan Baum Gallery, Los Angeles, CA
|
|
Plains Museum of Art, Minnesota
|
|
Group Exhibition, Quint Gallery, San Diego, CA
|
|
1982
|
4th Anniversary of Chinese Chance, University Place Gallery, New York, NY
|
|
Sunday in Rio, LACE (Los Angeles Contemporary Exhibitions), Los Angeles, CA
|
|
Theatrical Abstractions, Jan Baum Gallery, Los Angeles, CA
|
|
1981
|
Sanders Collection, Plains Art Museum, Moorehead, MN
|
|
Group Exhibition, Molly Barnes Gallery, Los Angeles, CA
|
|
Intimate Object, Downtown Gallery, Los Angeles, CA
|
|
1981
|
Emerging Downtown Los Angeles Artists, Cyprus Gallery, Los Angeles, CA
|
|
California Artists, Tower Gallery, New York, NY
|
|
Wall Constructions, Security Pacific Bank, Los Angeles, CA
|
|
Ulrike Kantor, Los Angeles, CA
|
|
Gary Lang and Joe Fay, Mark Quint Gallery, Los Angeles, CA
|
|
The New Art of Downtown Los Angeles, Madison Art Center, Madison, WI; Traveled
to four
North American Museums
|
|
Recent Acquisitions, Community Redevelopment Agency, Los Angeles, CA
|
|
1978
|
United Nations Plaza, New York, NY
|
|
1976
|
Ed Thorp Gallery, New York, NY
|
|
1975
|
Americans Painting in Spain, Institute of North American Studies, Barcelona,
Spain;
traveled to Madrid
|
|
Group Exhibition, Geneva, Switzerland
|
|
1974
|
Yale University Art Gallery, New Haven, CT
|
|
1972
|
Whitney Museum of American Art, New York, NY
|
|
2005
|
Baldwin, Debra Lee. Inside Insite, San Diego Home & Garden, Lifestyles,
September 2005, p.
45-49.
|
|
Dorsky,David. Glass Seriously. INNS&OUTS, 06.2005, p.11.
|
|
Schneider, Wolf. Phoenix Rising. Western Interiors and Design, Scene,
July/August 2005,
p.47-48.
|
|
2004
|
Berkus, Carey. Focus on Painter Gary Lang. Santa Barbara Magazine, December
2004/January2005, Arts Scene, p. 88.
|
|
Hanor, Stephanie. GARY LANG ‘ONGOING,’ VIEW, Museum
of Contemporary Art San
Diego. September 2004, p3.
|
|
Villani, John Carlos, The Bentley Boost: Gallery Should Elevate Art Scene, The
Arizona
Republic, Sunday, February 15, 2004, Section E, front cover and p.6.
|
|
Gary Lang, CULTURALRCHIEF, Absolute Figures, p:1
van:2 , 08-03-2004
|
|
Spijkerman Sandra, Achter Mondriaan aan, de kritieken, TROUW (125353) P:31,
28.02.2004.
|
|
‘Circling Home’ van Gary Lang (Gemeentemuseum) de Volkskrant,
Donderedag 5 februari
2004, p 24
|
|
Statenkwartier - Gary Lang in Gemeentemuseum, HaagWestNieuws, pagina 11, February
4,
2004
|
|
Bekeken, Nader. Gary Lang, Overzichttentoonstelling ‘Abundance Automata’,
Haagshe
Courant, Pagina:43, cm2: 162 . 47, April 2, 2004
|
|
Quint, Erik. De Kleurrijke, vibrerende lijnen van Gary Lang, Gemeentemuseum
Den Haag,
“Abundance Automata,”Haagsche Courant, Monday, February 9, 2004, p.B7
|
|
Gary Lang, 7 February - March 28, 2004, Museumkrant, Gemeentemuseum Den Haag,
2004
#1, p. 15.
|
|
2003
|
Creps, Bob. Biographical Encyclopedia of American Painters, Sculptors &
Engravers of the
U.S.Colonial to 2002, Vol. 2, Dealers Choice Books, 2003
|
|
2002
|
Matsuyama, Sadamichi. Continuous Senses, Gallery Jurou, Kurashiki, Japan, Sunyo
News,
Nov. 6, 2002,
|
|
|
|
2001
|
Behr, Debra. A rainbow of blooms colors Carlsbad hillside, Come to San
Diego, Los Angeles
Times, Wed. March 14, 2001, p. 6.
|
|
Helfand, Glen. Gross Lobbies for Abstract Art, Art & Auction, June
2001, p. 66.
|
|
Mills, Michelle J. The flowers of Carlsbad Ranch, A visual feast of abundant
colors spread
over 50 acres, Press-Telegram, March 10, 2001, p. C2.
|
|
Pincus, Robert L. Concentric fields, Artist paints with flowers on an unpredictable
garden
canvas, Gary Lang’s Circles and Cycles, a Chance Garden, The San Diego Union Tribune,
Sunday, April 22, 2001, p. I-32
|
|
2000
|
Bennett, Dan. Seeded With New Ideas, Beginning This Season, Living
Art Will Bloom in
Carlsbad’s Flower Fields, Los Angeles Times, Thursday, March 16, 2000, p.49
|
|
Bensinger, Ken. Art Meets Wall Street, The Wall Street Journal, Friday,
November 3, 2000, p.
W9
|
|
Blanquart, Romain. Eckert Fine Art Gallery exhibit features: J. Biederman,
G. Lang, E.
Holtzman,P. Cyphers, Naples Daily News, Sunday, July 23, 2000, p. D-1.
|
|
Freeman, Mike. Cultivating tourism; Carlbad’s Flower Fields to harvest
alternate sources of
Income. The San Diego Union-Tribune, Sunday, February 27, 2000.
|
|
Thursday, August 24, 2000, p.B1.
|
|
1999
|
Debret, Alain. Gary Lang, Couleurs spectrales exacerbees... Joyce, Paris,
May/June 1999, p.
49.
|
|
Gisbourne, Mark. I Love New York. Crossover of Contemporary Art, Contemporary
Visual
Arts, #22, p. 77
|
|
Koplos, Janet. The Age of “Inter,” Weaving the World, Contemporary
Art of Linear
Construction, Yokohama Museum of Art, 1999, exhibition catalog, Japan
|
|
Grenier, Alexandre. Gary Lang: fils prodige. Pariscope, No. 1618, 5.26.1999,
p.178
|
|
Jocks, Heinz-Norbert. Gary Lang: Gemalde als Abfallprodukt einer Trance,
|
|
Kunstforum International, Bd. 143, Jan-Feb 1999, p. 328-29.
|
|
Kuspit, Donald; Garnwell, Lynn; & Hartmann, Earnest. Dreamworks: Artistic and
Psychological Perspectives, Nov. 1999, published by SUNY and Cornell University Press.
|
|
Larsen, Susan C. My Favorite Artist, New York Times on the Web Forums,
February 4, 1999
|
|
Levin, Kim. Gary Lang “Diamond Paintings,” The Village Voice,
Oct. 26, 1999, Vol. XLIV, No.
42, p. 111.
|
|
Meatto, Keath. Elizabeth Grant, Chelsea Clinton News, June 10-16, 1999,
p. 1& 10.
|
|
Rodriguez, Juan. Cool Painting at Brian Gross Fine Art, Artweek, February
1999.
|
|
|
|
1998
|
Avgikos, Jan. New York Loves You, Too. I Love New York: Crossover der aktuellen
Kunst,
Museum Ludwig, Koln, catalog essay, November 1998
|
|
Baker, Kenneth. Cool Paintings Radiate Heat, San Francisco Chronicle, December
12, 1998.
|
|
Gauer, Walter. Die aktuelle Kunstszene einer Weltstadt, Luxemburger Wort,
November 18,
1998.
|
|
Brody, Jacqueline. PAPER+, exhibition brochure essay, May 1998.
|
|
Fricke, Harald. Teures Bekenntnis, taz, die tageszeitung, November 9,
1998.
|
|
Haase, Amine. Kunst auf der Disko-Treppe, Kolner Stadt-Anzeiger, November
6, 1998, No.
259
|
|
Heiland, Gert. Von Videos bis zu Karamel-Bonbons Grenzuberschreitungen in der Kunst,
|
|
Herseukuidsdrau, November 13, 1998.
|
|
Kliemann, Thomas. Flaschenpost aus der Kunst-Metropole, Generalauzeige,
November 1998,
p.7&8.
|
|
Losel, Anja.Wir wollen, daB es knallt im Museum, Stern, Nov. 12, 1998,
p. 100-108.
|
|
Maak. Niklas. Ich kaufe gern, Suddeutsche Zeitiung, November 7/8, 1998
|
|
Morgan, Robert C. Howard Buchwald (Gary Lang), Juxtapositions, Review,
April 1, 1998, p.8-9
|
|
Kunst Auf dem Weg zur Massenakzeptanz? Strategien des Crossover im Museum
Ludwig,Koln, Neue Zuieher Zeitiung, November 27, 1998
|
|
Poetter, Jochen. Free Fall, I Love New York: Crossover der aktuellen Kunst,
Museum Ludwig,
Koln, exhibition catalog essay, November 1998.
|
|
Redaktion, Die. I Love New York: Crossover der aktuellen Kunst, Kolner Museumszeitung,
November 1998, Nr. 4.
|
|
Schroeder, Annette.Hornchen kneten zu Musik, Kolner Stadt-Anzeiger.
Nov. 1998.
|
|
Wagner, Thomas. Wer da nur im groben Teich platschert, Frankfurter Allgemeine
Zeitung,
November 7, 1998, Nr. 259.
|
|
Morgan, Robert C. Testimonials, 1998 exhibition brochure essay.
|
|
1997
|
Butkiewicz, Joe. Artists United in their Difference, The Times Leader,
Wilkes-Barre, PA,
|
|
Jan. 2, 1998, p. 1C & 7C.
|
|
Simon, Joan. Abstract Painting, Le Quartier, Centre d’art contemporain,
Quimper, exhibition
catalog,June 14 - October 5, 1997
|
|
de Chassey, Eric. Au coeur de Gary Lang , L’oeil, No. 490, November
1997, p.31.
|
|
de Chassey, Eric. Creating Meaning, Abstractly, Tableau: Territoires Actuels/New
Territories
In Painting, 1997, Edition Ecole Regionale des Beaux-Arts, deValence avec le Quartier,
Centre d’Art de Quimper
|
|
Grand, Stanley I. Woven Information, Gary Lang: Paintings and Objects 1975-1997,
|
|
exhibition catalog essay, May 11- Aug. 10, 1997.
|
|
Grand, Stanley I. Gary Lang Exhibition, News from the Sordoni Art
Gallery, Fall 97.
|
|
|
|
Grenier, Alexandre. Gary Lang, Pariscope, Oct. 29-Nov. 11, 1997
|
|
Gary Lang at Galerie Zurcher, Art Press, No. 228, October 1997
|
|
Koplos, Janet. Drawing From Life at Stark, Art in America, May 1997,
p. 126.
|
|
Larsen, Susan C. Tracking The Heart’s Own Intuition, Gary Lang: Paintings
and Objects
1975-1997,
|
|
|
|
Ollman, Leah. Gary Lang, Quint Gallery, ARTnews, June 1997, p134.
|
|
Picard, Denis. Gary Lang - Chance 1997, Connaissance, No. 543,
October 1997
|
|
Stiel, Nicolas. Gary Lang, Challenges, No. 114, May 1997, p. 108.
|
|
Pincus, Robert L. Art of Excess, On Energy Alone, Lang’s Canvases Hit the
Bull’s-Eye,
|
|
The San Diego Union-Tribune, March 20, 1997, p. 40.
|
|
Turrell, James. Gary Lang: Paintings and Objects 1975-1997, exhibition catalog
appreciation,
1997
|
|
1996
|
Farmer, Rob. Art in the Round; The sensational circles of New York artist Gary
Lang, Where,
San Francisco, June 1996, p. 51.
|
|
Hawkins, Julie. The Circle Game, San Francisco Chronicle, May 5, 1996,
p. 17.
|
|
Kaiser, Franz W. Gary Lang, The Hague Project, exhibition catalog, Haags
Gemeentemuseum, The Netherlands, March 16 - May 26, 1996
|
|
Jolis, Alan. Gary Lang, ARTnews, January 1996, p. 135.
|
|
Koplos, Janet. Gary Lang at Crosby Street Project, Art in America, September
1996, p. 108-
109.
|
|
Morgan, Robert C. Three Strategies, Art Press, Feb.-Mar. 1996, p. 64-65.
|
|
Smith, Roberta. Gary Lang - ‘Hague Project’,The New York Times,
February 9, 1996, p. C23.
|
|
1995
|
Camper, Fred. Arresting Images, Chicago Reader, Sept. 15, 1995, p. 34-35.
|
|
Nuridsany, Michel. Autour de Beaubourg, Gary Lang, Figaro, Paris, Sept.
19, 1995.
|
|
Ostrow, Saul. More parts to the whole: Abstract Painting afterModernism, Art
Press, French
Edition, November 1995.
|
|
Pinte, Jean-Louis. The Mirrors of the Soul, Figaroscope, Oct. 4-10,
1995, p.43.
|
|
Pinte, Jean-Louis. Gary Lang, a la galerie Zurcher, Figaroscope, Paris.
|
|
Stamets, Bill. Art: A Warm Gun, A Wet Paintbrush, Chicago Sunday Times,
Sept. 29, 1995,
p. NC3.
|
|
Wat, Pierre. Gary Lang L’Intuitif, Beaux-Arts, October 1995,
p. 53
|
|
1994
|
Bacon, George. Un tour des galeries,Le Journal des Arts, Paris, Sept.
1994, p. 41.
|
|
Huser, France. L’Amerique a Paris, L’Officiel de la Mode, Paris,
November, 1994, p. 202-204.
|
|
Pinte, Jean-Louis. A Vibrant Geometry, Figaroscope, September 28, 1994,
p. 54.
|
|
Rubinstein, Raphael. Gary Lang at Michael Klein, Art in America, March
1994, p. 96-97.
|
|
Saltz, Jerry. A Year in the Life: Tropic of Painting, Art in America, Oct.
1994, p.90-101.
|
|
Schneider, David I. Idalia, QBasic-Introduction to Visual Basic, second
edition, 1994,
|
|
Dellen/Macmillan College Publishing Company, NY, front cover & p.iv.
|
|
Schneider, David I. Drury, QBasic-Introduction to Visual Basic, third
edition, 1994,
|
|
Dellen/Macmillan College Publishing Company, NY, front cover & p.iv
|
|
1994
|
Sincich, Terry. Morning Mirror, Modern Business Statistics, second edition,
1994,
|
|
|
|
Dellen/Macmillan College Publishing Company, NY, front cover & p. ii.
|
|
Vezin, Luc & Zurcher, Bernard. La FIAC (et le Marche de l’art?), InfoMatin,
Paris, Oct. 7 & 8,
1994, p. 26.
|
|
1993
|
Huntington, Richard. Art, The Buffalo News, September 10, 1993, p. 20.
|
|
Huntington, Richard. Beauty’s Truth, The Buffalo News, Sept. 10,
1993.
|
|
Huntington, Richard. Ugly Beauty, The Buffalo News, October 1, 1993,
p. 24.
|
|
1992
|
McDonald, Robert. Portraits of the Artist As Life Itself, Visions, Winter
1993, p.31-2.
|
|
Ostrow, Saul. Gary Lang Interview, BOMB, No. XXXXV, Fall 1993, pp. 14-16.
|
|
Schneider, Bruno F. Omas Nachthemd, November 16, 1993
|
|
Scott, Sue. Ageometry, Art News, May, 1993, pp. 141-142.
|
|
Huntington, Richard. Tilted Eye,The Buffalo News, June 12, 1992, p.
35.
|
|
Westfall, Stephen. Gary Lang,Tema Celeste, Interview, Jan/March 1992,
p.98-99.
|
|
Anon. Ageometry, The New Yorker, December 28, 1992, p. 35
|
|
1991
|
Nathan, Jean. Gary Lang, Michael Klein Inc., New York, NY, exhibition brochure.
|
|
Zinsser, John. Geometry and its Discontents,Tema Celeste, Autumn 1991,
p. 72-76.
|
|
1990
|
Westfall, Stephen. Fluid Geometry, Cummings Art Center, Connecticut College,
exhibition
catalog.
|
|
Zimmer, William. Fluid Geometry: Six Painters Offer Expressionistic Shapes, The
New York
Times, December 9, 1990
|
|
1989
|
O’Toole, Judith, H. Artists of the 80’s: Selected Works from the Maslow
Collection, exhibition
catalog
|
|
Pincus, Robert, L. Mark Quint finds space for new Art, The San Diego Union,
October 1,
1989, p. E-3
|
|
Selwyn, Marc. Three Painters, Flash Art, November-December 1989, pp.
126-27.
|
|
Smith, Roberta. Old, Traditional and Alternative Spaces, The New York
Times, May 5, 1989.
|
|
1988
|
Moorman, Margaret. Gary Lang at Annina Nosei, Artnews, Dec. 1988, p.
206, 210.
|
|
Ostrow, Saul. Ideal Situations: Fulfilling Dreams,exhibition text, Nov. 1988
|
|
Westfall, Stephen. Gary Lang at Julian Pretto, Art in America, Dec.
1988, p. 146.
|
|
1987
|
Barilleaux, Rene Paul. An Installation for the State Street Gallery, Madison
Art Center,
exhibition text.
|
|
Brenson, Michael. Art: Brooklyn Painters, The New York Times, July 3,
1987.
|
|
Davis, Phil. Point of Departure, Isthmus (Madison, WI), June
5, 1987, p. 26.
|
|
Stockinger, Jacob. Color shows joy, tension of the artist, The Capital Times,
(Madison, WI),
|
|
June 12, 1987, p. 36.
|
|
1986
|
McDonald, Robert. Paintings that Defy Description, Los Angeles Times,
Oct. 1, 1986, front
page & p. 7.
|
|
Ollman, Leah. San Diego/Gary Lang/Mark Quint, ARTnews, Dec. 1986, p.
27-28.
|
|
1985
|
Larsen, Susan. Sunshine and Shadow: Recent Painting in Southern California,
exhibition
catalog, 1985
|
|
1984
|
Hicks, Emily. Los Angeles, Artweek, 1984.
|
|
Anon. [R.L.P.] Galleries Downtown, Los Angeles Times, Aug. 10, 1984,
Part VI, p. 16.
|
|
1983
|
Norklun, Kathi. The Disjunctive Experience, Artweek, 1983.
|
|
1982
|
Larsen, Susan C. Gary Lang at Mark Quint Gallery,Artforum, Sept., 1982,
p. 84-85.
|
|
1980
|
Blaine, Michael. Formalist Ammunition, Los Angeles Times, 12-30-1980
|
|
2000
|
International Studio Program Award, The Elizabeth Foundation for the Arts
|
|
1998
|
Adolph and Esther Gottlieb Foundation Grant Recipient
|
|
1995
|
The Elizabeth Foundation for the Arts Grant Recipient
|
|
1974
|
Fulbright/Hayes Travel Grant Recipient
|
|
1974
|
N.E.A., Yale University, Sculpture Commission for the City of New Haven, CT
|
|
1972
|
Two Year Scholarship, Yale University
|
|
1971
|
Whitney Museum of American Art Independent Study Program Grant
|
|
2005
|
M.O.C.A. San Diego, La Jolla, CA
|
|
Madison M.O.C.A., Madison, WI
|
|
Claremont Graduate University, Claremont, CA
|
|
2004 CA
|
Claremont Graduate University, Claremont,
|
|
2003
|
Claremont Graduate University, Claremont, CA
|
|
2002
|
Idyllwild Arts, Painting’s Edge, Idyllwild, CA
|
|
1999
|
Empire State College, Columbia University, New York, NY
|
|
1998
|
University of Pennsylvania, Philadelphia, PA; Graduate Architecture
|
|
1997
|
Arizona State University; Phoenix, CA
|
|
1996
|
Yale University, New Haven, CT
|
|
U.C.L.A. Department of Art; Los Angeles, CA (dates: March - July 1996)
|
|
Claremont Graduate University; CA (dates: April - June 1996)
|
|
School of Visual Arts, New York, NY
|
|
School of Visual Arts, New York, NY
|
|
Pratt Institute, Brooklyn, NY
|
|
Bard College, Annandale-on-Hudson, NY
|
|
1995
|
Drew University Department of Art; Madison, NJ
|
|
1994
|
Parsons School of Design, New York, NY
|
|
1994
|
Montclair State College, Upper Montclair, NJ
|
|
1985
|
Claremont Graduate University, Claremont, CA
|
|
1975
|
Yale University, New Haven, CT, Teachers Assistant Advanced Painting & Beginning
Drawing
|
|
1974
|
Yale University, New Haven, CT, Teachers Assistant Advanced Painting & Beginning
Drawing
|
|
