Aili Schmeltz: Sewn Constructions | California Homes

June 15, 2021

Edward Cella Art + Architecture proudly presents Aili Schmeltz: Sewn Constructions and features her newest works which combine painting, collage and sewing to create altogether new hybrids which continue her fundamental investigations of pattern and form. Conflating notions of traditional “women’s work” and the mark-making practices and monochromatic pallet of Minimalist painters; these wall-based sculptures dazzle in their subtle radiance and undulation of colors. Sewn Constructions continues on view through August 20, 2021.

Arts & Antiques Previews Getting a Glimpse: Matthias Reinmuth

April 1, 2021

Matthias Reinmuth: rise opens on April 12 at Edward Cella Art+Architecture in the Thomas Lavin Showroom at the Pacific Design Center in Los Angeles. The show, which runs through June 4, is the German painter’s debut exhibition with the gallery and fronts the latest part of the Reinmuth’s recent “Glimpse” series.

Created in Berlin, where Reinmuth lives and works, but inspired in part by a 2019 trip to Los Angeles, “Glimpse” marries the vivid colors of the West Coast’s sun and surf with the infinite space and flickering luminosity of electronic screens. The paintings in the series, which feature glimmering passages of color, are particularly resonate for the contemporary viewer who likely balances imagery from real and digital space within his or her purview. Making the transient permanent, these works seem to capture images half seen before they whiz by, be they on a screen or over the ocean while the sun sets. In Glimpse (L.A.) (2019, oil, acrylic, wax and canvas, left above) and Glimpse (Cool) (2019, oil, acrylic, wax and canvas, above center) both highlights of the show, colors blend and float into one another in a way that manages to feel both organic and artificial.

Part of Reinmuth’s process is letting unexpected possibilities emerge from his well-honed sense of craft. Covering his studio floor with stretched canvases, the artist allows pigments to flow onto the prepared surfaces below. Random drips and marks become a record of the artist’s controlled chance and movement, like in Glimpse (Firecracker) (2019, oil, acrylic, wax and canvas, right above) which features tiny fleck of green amidst larger passes of hot orange and pink.

Lester Monzon Featured in Kleefeld Contemporary Video Series

November 9, 2020

Carolyn Campagna Kleefeld Contemporary Art Museum, Cal State Long Beach announces the new Plugged-In Virtual Connections video series

Produced from conversations with contemporary artists, the first season videos features Los Angeles artists June Edmonds, Ahree Lee, Lester Monzon, Analia Saban and Samira Yamin. Video content will be released in October 2020 and available here, via the museum's YouTube page, and shared on Instagram TV over the remainder of the year.  The entire Plugged-In Virtual Connections program, including video production, is funded by a grant from the RuMBa Foundation. View press release.

Click Here to View the Lester Monzon Video.

Rema Ghuloum: After Night at Five Car Garage, Los Angeles

October 24, 2020

Five Car Garage, in conjunction with Edward Cella Art + Architecture is delighted to present After Night, an exhibition of five paintings created this year by Rema Ghuloum. 

In the artist's own words: “I haven’t found words for what I paint. I paint experiences, feelings, visions. They paint themselves. They are psychic spaces, psychological and visceral portals that convey the contrasts that are the human experience. They breathe. They are felt. They reflect emotions that tap into our collective experience. They are memories representing the past, present, and future. They reflect the feeling in your gut at 3 am, the sun at noon, and the fullest moon or that line of a song that repeats over and over like a mantra. They are everything and maybe nothing at all. They are paintings that cry and sing and laugh simultaneously." 

Support Sister Outsider Relief Grant & The Underground Museum

June 18, 2020

Join Rema Ghuloum and ECAA to Help Support
Sister Outsider Relief Grant & The Underground Museum

In a committed effort towards supporting earnest structural change brought about by the current uprising against systemic racism, police brutality and social and economic injustice; the gallery will be donating 100% of the proceeds of Rema Ghuloum's Ether Drawing (5/2/2020) and match the proceeds and contribute them two worthy organizations equally —The Underground Museum and The Free Black Woman's Library. The drawing may be purchased on Artsy before June 30 and is subject to prior sale.


Online Debut of ECAA's Art into Action Public Programming

June 18, 2020

Join Rema Ghuloum & Edward Cella In Conversation Live

Announcing a new series of live broadcasts from the studios of ECAA artists and community members in dialog highlighting ideas, art-making, and social engagement. The first features Rema Ghuloum and Edward Cella discussing her online exhibition, Ether Drawings. Created over a five-week period, they are the result of Ghuloum’s adaptation of her fluid yet intuitive creative process to create a single small format work daily. Like a form of meditation, the intimate, small-format drawings are made through layering of color and gesture. Marking an unprecedented moment, Ghuloum will discuss Ether Drawings in the context of recent projects and reflect on larger themes of memory, studio practices, and relevancy of art-making in the contemporary moment.

Please plan to join our live Zoom webinar:
When: Jun 23, 2020 01:00 PM Pacific Time (US and Canada)

Please register in advance. The conversation will be available to stream afterwards.


Word Power: Wosene Worke Kosrof In Arts & Antiques Magazine

June 1, 2020 - John Dorfman

In discussing the work of the Ethiopian-born artist Wosene Worke Kosrof, the phrase “visual language” can be taken literally. Kosrof’s most important body of work consists of paintings in which the characters used to write Ethiopia’s Amharic language are the central graphic element. Cohabiting on the canvas with simple geometric forms and fields of color, the Amharic characters create a dynamic, logic-challenging, visually fascinating abstraction...


Amir Zaki: Empty Vessel's at UC Culver Center for the Arts

February 1, 2020

Empty Vessel – Amir Zaki presents two new bodies of photographs by Amir Zaki featuring either vacant landscapes of California skateparks or still lifes of shards from broken, ceramic containers. The shards are clearly from earthenware pots, but both subjects are “vessels” in that the skateparks are sunken into the clay of the earth. Hung in proximity to one another, sometimes juxtaposed, the images generate a complex conversation around the notion of “emptiness,” which includes removing presuppositions from one’s mind about what one is about to experience, is experiencing, or has experienced. By disentangling the mind of one’s own stories and worries, one can be open to other possibilities presented by perception itself. Thus Zaki’s Empty Vessel, as an exhibition, provides a platform for contemplating duality and the more ambiguous third space that exists between linked elements which cannot exist without each other: form and emptiness; function and aesthetics; holding and letting go; containing and emptying.

Empty Vessel – Amir Zaki is accompanied by Zaki's first internationally distributed monograph, “California Concrete: A Landscape of Skateparks,” published by Merrell Publishers, with essays by the artist, famed skateboarder Tony Hawk, and Los Angeles-based architect Peter Zellner.

 Empty Vessel—Amir Zaki was originally organized by the Frank M. Doyle Arts Pavilion, Orange Coast College, and curated by Tyler Stallings, director at The Doyle. Lead sponsorship of the exhibition at UCR ARTS is provided by UCR College of Humanities, Arts, and Social Sciences, and the City of Riverside.

Winter Opening Reception: February 29, 2020 6pm-8pm


Artist Talk Video: Jeffrey Vallance in conversation with Constance Mallinson

November 23, 2019 - Edward Cella Art & Architecture

On November, 16 2019 Jeffrey Vallance and Constance Mallinson joined us at the gallery for part of our public exhibition programming for their exhibitions "Jeffrey Vallance La Chappelle De Poulet, 2019" and "Paint into Pattern: Constance Mallinson 1979-1982, 2019". The Artist Talk "Artist to Artist: Jeffrey Vallance in conversation with Constance Mallinson" featured the Artist's interviewing each other about curating, collecting, and making art in Los Angeles.

Watch the full video on Vimeo.

Jeffrey Vallance: Pray to Blinky

November 16, 2019 - Shana Nys Dambrot

A painter, assemblage sculptor, conceptualist, performance artist, and a provocative practitioner of a lot of other random in-betweens, Jeffrey Vallance is also the founder of a sort of society — cult is too strong a word — united by appreciation of the fine persona and kitschy critique of a frozen Foster Farms chicken named Blinky whom Vallance laid to rest amid much fanfare at the Los Angeles Pet Memorial Park in 1978.

Read More.